‘Tis the season, and so I asked Polari writers, and superstars Darren Hayes and Clementine the Living Fashion Doll, to tell me what their favourite seasonal song is and why. Yes, I called it Christmas in the title. I was brought up as an atheist – which made two old women from the local church look at me with pity and sadness when they came to my door to talk about the Lord – but I like the word. So to Christmas, the Winter Solstice, Hannukah, Chrismukkah, Surfing Season … alright, I made that last one up. Anyway …
Archive for the 'Features' Category
The Best Ever Christmas Song? Featuring Darren Hayes, Clementine the Living Fashion Doll and the Polari team
Published December 21, 2011 Editorial , Features Leave a CommentTags: christmas, Darren Hayes, frankie goes to hollywood, i have a little dreidel, jingle bells, joni mitchell, justin bieber, mr hanky the christmas poo, phil spectre, sarah mclachlan, tori amos
Steve Ronsenthal: painting with Gaydar profile pictures
Published December 18, 2011 Features Leave a CommentTags: ayaz marhoni, gaydar, homosexuality illegal, iran, mahmoud asgari, mis-leading men, painting by numbers, steve rosenthal
Steve Rosenthal was given the Passion for Freedom Visitor’s Choice Award in October 2011 for his series, We do not have homosexuals like in your country. In our country we do not have this. In Iran this phenomenon does not exist. This work tells the story of two teenage boys, Mahmoud Asgari and Ayaz Marhoni, from northeastern Iran, who were executed for committing homosexual acts. The pictures themselves are, remarkably, constructed from the profile pictures from Gaydar profiles. Polari met Steve to talk about his work, and conducted the interview stood in front of a picture of the boys just moments before they were hanged.
CB: When did you start out using Gaydar profile pictures in your work?
SR: I was quite a late joiner to the world of Gaydar. It wasn’t until January 2007.
When I set up a profile I wanted to create a log of every person who visited my profile, but I didn’t really know why. And so I started to build a catalogue of the images and strap-line text.
Then I was introduced to the program I use to make the pictures. At the time I had about 15,000 images, but the quality wasn’t that good. As the archive grew the quality of the images got better and better. So I had my Gaydar profile on all the time, and I was logged into as many chat rooms as possible, as I found that way you’d get more hits. It was on 24/7 really.
Introducing Noah Stewart, by Little Bastard
Published December 8, 2011 Features Leave a CommentTags: decca, great day, harlem, harlem school of arts, julliard, noah stewart, opera, sesame street, without a song
What do we expect from a boy from Harlem? Well, in 2011, absolutely anything! Ten years ago, if someone had told me I’d be standing in a church in Marylebone listening to a young man from Harlem singing ‘Without A Song’ from the 1920′s musical Great Day I would have struggled to believe them! But here I am, listening to Noah Stewart, the worlds next big p’opera star.
A decade ago we were in the throws of Nu Metal, a subgenre of heavy metal - spawned by a generation who had grown up on Metallica and wanted their own revolution. And there was Nu Soul via the Bristol Trip Hop and the American Hip Hop scenes, we witnessed Generation X’s take on the classic soul formula.
Polari talks to Darren Hayes
Published October 8, 2011 Features Leave a CommentTags: Darren Hayes, Polari Magazine, x-factor

We managed to grab 5 minutes of Darren’s time this week during his hectic press and rehearsal schedule to ask him a quick question about his recent appearance on Australia’s X-Factor:
Recently you were a judge on the Australian X-Factor. How different do you think the music industry is today than when you started out trying to secure a record deal for Savage Garden?
I get asked about reality TV shows and especially X Factor a lot these days. It’s understandable given the prominence of the shows and the coverage they receive in the media. There are a lot of performers who have gone to great lengths to criticise the formats and blame them for the massive shift in the dynamic of the music industry. I am not one of them.

